The score is an unusual one that contrasts music similar to that of the Orthodox church with music that is indicative of a more uninhibited lifestyle. Roxana momentarily forgets about Roger but they are re-united in the final act when she tells him that only the Shepherd can release him from his fear and jealousy. At the opera’s end, Roger is transformed.
First we will let you hear Roxana’s beautiful aria, sung in this case by Elzbieta Szmytka, pictured below.
Next we will hear a transcription of the same piece played by violinist Renaud Capuçon (pictured below) and pianist Jérôme Ducros.
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