He had a tendency to write works for large vocal ensembles of 8, 10 and 12 voices In 1540, his name disappears from church records because of some unseemly activities. He was pardoned around 1547. From there, he faded into obscurity. We will present one of his finest compositions which is a lament upon the death of Josquin, titled Musae Jovis. This work is for 6 voices.
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